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  • A music manuscript in black and white with red notes representing an advertisement for a concert of hope at the Eglise Saint Louis des Invalides, Paris, on Tuesday 11 June 1992 by AIDES. Colour lithograph, 1992.
  • Declaration in French of the universal rights for those with AIDS or who are HIV positive with a list of 10 requirements by Médecins du Monde and AIDES. Colour lithograph.
  • A man and woman walking arm in arm, with a dog, past a bench in a park during the day and the same man meeting another man at the same bench at night with the message: "I have two lovers, I protect myself"; advertisement by AIDES with the help of Agence Française de Lutte contre le SIDA. Colour lithograph by Marie Laure Costa, 1994.
  • A green neon-lit pharmacy shop sign on the corner of a street with a message in French: 'There are places for protection on every street corner'; with a sterile needle and a condom advertising pharmacies as the first port of call for protection against AIDS; an advertisement by the Ministére du Travail et des Affaires Sociales, L'Assurance Maladie Sécurité Sociale, Ordre National des Pharmacies and CFES. Colour lithograph.
  • Two men in sadomasochism gear performing oral sex; advertisement for condoms by AIDES, Numero Vert and the SIDA Info Service and Agence Française de Lutte contre le SIDA. Colour lithograph by Andreas Mahl.
  • A woman wearing a necklace bearing the words 'sex', an off-the-shoulder top and holding a paint spray can; two men in caps, one bearing the letters 'CRIPS' stand behind with graffiti and pink condoms between; an advertisement by CRIPS with the help of the Ministère de la Culture. Colour lithograph by Marko, 1993.
  • The faces of three women and two men with a warning if you have multiple partners, don't multiply the risks [of contracting AIDS], use protection; a safe sex advertisement by L'Assurance Maladie Sécurité Sociale and the Ministére du Travail et des Affaires Sociales. Colour lithograph.
  • A block of text with the heading "L'image précède la mot" relating to an exhibition of 37 posters about the fight against AIDS; exhibition produced and organised by the ARTIS and Bruno Ughetto in partnership with L'Agence Française de Lutte conte le SIDA and the Ministère de la culture et de la francophonie. Colour lithograph.
  • The tombstone of François Vincent Raspail at Père Lachaise cemetery, Paris. Photograph by F. Kempter, 1878.
  • Église Saint-Germain-l'Auxerrois, Paris. Photograph by Achille Quinet, ca. 1870.
  • Saint Étienne du Mont church, Paris. Photograph by Achille Quinet, ca. 1870.
  • Hôpital St-Antoine, Paris: floor and street plan and facade. Line engraving by J.E. Thierry after H. Bessat, 1807.
  • Swimmers, officials and spectators at the Paris Olympics. Photographic postcard by A. Pétin, 1924.
  • Swimmers, officials and spectators at the Paris Olympics. Photographic postcard by A. Pétin, 1924.
  • International Congress of Medicine (13th), Paris, 1900: the delegates: group portrait. Photograph, 1900.
  • Electrical instruments exhibited at the 1881 Paris Electrical Exhibition; including a tramway, an electric boat and an electric chair. Wood engraving by A. Marie, 1881.
  • Fortieth French Surgery Congress, Paris: five foreign delegates. Process print after M. Rose, 1931.
  • Fortieth French Surgery Congress, Paris: five foreign delegates. Process print after M. Rose, 1931.
  • [French charity stamp showing a woman gestuting towards a burning town, a French tricolore flag in her right urging people to buy nothing from the Germans: "N'achetez rien aux Allemands"].
  • A man drinking in a tavern in the company of figures representing poverty and death induced by alcohol. Colour lithograph by J.-J. Waltz (Hansi), 1905.
  • A man drinking in a tavern in the company of figures representing poverty and death induced by alcohol. Colour lithograph by J.-J. Waltz (Hansi), 1905.
  • Second International Congress for Comparative Pathology, Paris: four foreign delegates. Process print after M. Rose (?), 1931.
  • A French supporter of the Paris Commune prefers to throw an incendiary bomb to advance equality, while a British workman prefers to smoke his pipe in the interests of liberty. Wood engraving by J. Swain, ca. 1871, after Sir J. Tenniel.
  • Pascal's experiment in the Puy de Dôme to test the relation between atmospheric pressure and altitude. Oil painting by Ernest Board.
  • Étienne Jules Marey. Collotype [?] collage by Poyet and menu, 1901.
  • Abelard and Heloise: monument in Père Lachaise cemetery, Paris. Aquatint after Gaucherel.
  • Prisoners in the French Revolution awaiting the summons to the guillotine. Engraving by Masson after Charles Muller.
  • Abbaye Royale du Val de Grace, Paris: facade. Etching.
  • Fortieth French Surgery Congress, Paris: five French delegates. Process print after M. Rose, 1931.
  • A young woman weighs out tobacco on a shop counter. Coloured lithograph by C. Regnier, 1843, after Guérard.